A few months ago, I blogged about my experience with the California-based scam company Fast Break Music. When we left off, I was going through my bank to pursue a refund on the grounds of fraud and services not rendered.
Thus far, I have been unsuccessful in getting a refund. As I said, I attempted to pursue the issue through my bank, but they ended up ruling in favor of Fast Break Music because they provided fraudulent materials in their defense, including a doctored version of the terms & conditions and an e-mail correspondence that never took place. This is forgery, and highly illegal. Of course, I was never given an opportunity to submit my evidence which would have disproved all of their claims. I have consulted with my attorney and we are now leaning on the bank to have the case re-opened. Producer Richie Blac also experienced the same illegal and fraudulent tactics when he sought out a refund, and he detailed all of Fast Break’s deception in this YouTube video:
In the interim, I have filed a complaint with the California Attorney General’s office, and I am hoping to have David Hitt and Fast Break Music prosecuted on the grounds of fraud and forgery. If you are an artist who was also victimized by this company, I would recommend that you do the same, as the more people who bring this to the Attorney General’s attention, the more likely they are to really pursue this matter and make it a priority.
You can file a complaint online here: http://oag.ca.gov/contact
Beyond that, I am not sure what advice to give you, as it seems no one in higher authority is willing to address the criminal activity of Fast Break Music, despite the overwhelming amount of tangible evidence that has become available online.
So I was browsing YouTube last night checking out some of the new songs that have been coming out over the past few weeks, and I came across Snoop Dogg’s “Wet.” If you haven’t heard/seen it yet, check it out below.
I thought the song was interesting, definitely a different direction for Snoop. I love The Cataracs and anything they’re involved with, but I couldn’t help but think that this was just a cheap attempt to recreate the success of Lil’ Wayne’s “Lollipop.” Beyond that, the song was pretty inoffensive; I didn’t feel one way or the other about it. Anyway, I’m reading the YouTube comments (my first mistake) and all I see is a bunch of people declaring “hip hop is dead!”, “Snoop sold out by using autotune!”, and asking “where is the old Snoop?” I normally don’t pay any mind to these people, but these negative comments were overwhelming, to the point that I only saw like 2 or 3 people trying to defend the song. This really bugged me.
Look, hip hop IS dead, as far as the mainstream is concerned. Get over it. If you’re a fan of “real” hip-hop, no one is saying that you can’t listen to it, but it isn’t going to be played on the radio, and commercial artists are not going to make that kind of music because it isn’t marketable right now. If you want every artist to sound like Lupe Fiasco, then go buy the Lupe Fiasco album and play it to your heart’s content. Love it or hate it, dance/electronica is the future of mainstream music, and any artist who wants to remain relevant is going to move in that direction. I like Talib Kweli, Rhymesayers, Canibus, etc. as much as anybody, but I don’t expect mainstream artists to make that kind of music unless they are trying to appeal exclusively to the very small niche of nostalgic 90′s hip-hop fans.
As far as autotune goes, I’m really tired of hearing people bitch about it at this point. Autotune is now being used as an instrument, like anything else. It doesn’t devalue music. If you don’t like the sound of autotune, again, don’t listen. Saying that every artist, song, etc. that uses autotune sucks is a ridiculous statement. That’s like saying every song that uses a flute sucks. Okay, you personally don’t like the sound of a flute, but an artist isn’t selling out by using it, you just don’t like how that instrument sounds. Autotune is just another instrument, albeit a very popular one at the moment. Besides, when Snoop used autotune in “Sensual Seduction,” I don’t remember anybody complaining. All of a sudden, it’s a tragedy and his career is over. C’mon.
Finally, “where is the old Snoop?” The old Snoop is in 1994. If you want to hear the old Snoop so badly, go buy Doggystyle. I’m sure you can find it for a very reasonable price on Amazon. Artists evolve over time. Has anyone considered that maybe, after almost 20 years in the business, that Snoop wants to try something new? That maybe he’s tired of making the same music over and over again? Times change so the grind changes. The best artists are the ones who can change with the times and still remain fresh and relevant, constantly reinventing themselves yet still retaining that defining swagger or persona in some form. The ones who stick to one style, no matter what is going on in the world around them, no matter how played out and passe their style becomes, are the ones who end up broke. Say what you want about the “new” Snoop, but at least he isn’t still performing “Gin and Juice” alongside Young MC and Sir Mix-a-Lot at county fairs.
The bottom line is, enjoy music. If today’s mainstream music isn’t your taste, that’s cool. But stop expecting the world to start and stop at your convenience. Most hip-hop fans are still living in 1993-2001. That’s your choice, and as I said, there are plenty of great CDs that you can go out and buy and you can be happy in your time capsule. The rest of the world has moved on to 2011, so let us enjoy today.
I just wanted to announce that my NEW YouTube channel is now up and running! We’re off to a great start; yesterday the channel was ranked #54 for Most Viewed (Today) out of all YouTube musician channels! So please, stop by the new channel, subscribe, and rate/comment on the videos! As always, I appreciate your love & support
(If you’re wondering WHY I needed a second channel, btw, it is because I had to remove many of my videos from the first channel in order to qualify for the YouTube partnership program, so anything with an uncleared sample, or any unauthorized covers/parodies/remixes had to go. So, this new channel is designed to showcase all of that material which is not *entirely* original. Enjoy!)
Unfortunately, I was not able to find the right version of this song on YouTube, so instead I will post the link to Grovesnor’s MySpace. While I have not had the chance to check out his other songs yet, I was absolutely blown away by Grovesnor’s “Nitemoves” when I heard it last night. Amazing track… smooth with a lot of soul. Oh yeah.
Hey everybody! This Sunday, February 15th, I will be filming two music videos; “Good Lovin’” will be filmed in my apartment (502 S 41 St Phila Pa 19104) and I will need 3 charismatic female co-stars… so ladies, if you’re interested in a feature role, let me know! This is not a booty-shaking bikini video.. all of the women will be fully clothed and no one will have their integrity compromised. The idea is that TradeMark accidentally made plans with 3 girls at the same time, and the video will be a wacky misadventure of TradeMark trying to juggle the three dates without them finding out about one another… very “Three’s Company” vibe. This will be the 1st video filmed, beginning at 11am. So for the girls who volunteer, please make sure you can be at my apartment by 10:30am at the latest. (Editor’s Note: Only 2 female roles remain open for this video)
“Swaggasaurus” will be filmed on the streets of West Philly around my apartment.. everyone and anyone is welcome to take part in the video and be extras. I will need at least 20-25 people (minimum) for my entourage in this video, so please let me know if you can make it for sure. This will be the afternoon video, so anyone interested in participating make sure you can be at my apartment by 1:00pm at the latest.
Hope everyone can come out, because these videos are gonna be a lot of fun.. and you’ll get some free YouTube exposure, and who doesn’t love internet publicity? Hope to see you on Sunday.