9pm, Walnut Room (1709 Walnut Street), NO COVER! Dj Grandmaster Supreme spinning the best in hip-hop, old school, R&B, and reggae! Yours truly will be making a cameo appearance at midnight – be there! TTRRAAADEMAAARRRKKK!!!
Archive for the ‘Experience’ Category
*FINAL REMINDER* The TradeMark Experience @ Walnut Room TONIGHT!
Thursday, January 27th, 2011Be there TOMORROW Night 1/27! The TradeMark Experience @ Walnut Room!
Wednesday, January 26th, 2011It’s going down tomorrow night 1/27 at the Walnut Room! The TradeMark Experience performs alongside Fourth Wall artists Amun Miraaj, Lyrispect, and Vision! Dj Grandmaster Supreme will be on the turntables, spinning the best in hip-hop, R&B, reggae, and old school! NO COVER – the party starts at 9pm, I’ll be doing a few songs around midnight, but get there early for the Walnut Room happy hour, 9-11 – cheapest drinks in the city!
TM
Fourth Wall presents: DJ Supreme w/ Amun Miraaj, Lyrispect, The TradeMark Experience, and Vision! *ONE WEEK FROM TONIGHT* (1/27)
Thursday, January 20th, 2011One week from tonight, on Thursday 1/27, DJ Grandmaster Supreme will be taking over the Walnut Room along with Fourth Wall artists Amun Miraaj, Lyrispect, and Vision! Yours truly, The TradeMark Experience, will be making a special cameo appearance at midnight, performing for the first time since June!
NO COVER AT THIS PARTY.
DJ Grandmaster Supreme – turntable genius / scratchmaster – is back at WALNUT ROOM.
Coming up with hip-hop legends in New Rochelle and Harlem, Supreme has done 2 tours (and Saturday Night Live) with Lauryn Hill, has worked with literally hundreds of artists including Outkast, Busta Rhymes, KRS-1, Digable Planets, Funkmaster Flex, Grand Wizard Theodore (inventor of the scratch technique),………
Thursday | 9pm | No Cover Charge
To reserve a bottle service table please call 215.751.0201
$100 bottles before midnight
* no dress code – wear your sneakers if ya like *
Hip-Hop, Reggae, R&B, Old School
$100 bottle service until midnight:
Pearl Black Vodka
Pearl Blueberry Vodka
Pearl Pomegranate Vodka
Pearl Plum Vodka
Skyy Cherry
Skyy Grape
Skyy Pineapple
Nuvo
Walnut Room’s Late Night Happy Hour, 9=11pm:
$5 Cocktails
$5 Champagne
$4 Wine
$3 Beers
& maybe a few surprises!
Fast Break Music Scam (Update)
Saturday, January 15th, 2011A few months ago, I blogged about my experience with the California-based scam company Fast Break Music. When we left off, I was going through my bank to pursue a refund on the grounds of fraud and services not rendered.
Thus far, I have been unsuccessful in getting a refund. As I said, I attempted to pursue the issue through my bank, but they ended up ruling in favor of Fast Break Music because they provided fraudulent materials in their defense, including a doctored version of the terms & conditions and an e-mail correspondence that never took place. This is forgery, and highly illegal. Of course, I was never given an opportunity to submit my evidence which would have disproved all of their claims. I have consulted with my attorney and we are now leaning on the bank to have the case re-opened. Producer Richie Blac also experienced the same illegal and fraudulent tactics when he sought out a refund, and he detailed all of Fast Break’s deception in this YouTube video:
In the interim, I have filed a complaint with the California Attorney General’s office, and I am hoping to have David Hitt and Fast Break Music prosecuted on the grounds of fraud and forgery. If you are an artist who was also victimized by this company, I would recommend that you do the same, as the more people who bring this to the Attorney General’s attention, the more likely they are to really pursue this matter and make it a priority.
You can file a complaint online here: http://oag.ca.gov/contact
Beyond that, I am not sure what advice to give you, as it seems no one in higher authority is willing to address the criminal activity of Fast Break Music, despite the overwhelming amount of tangible evidence that has become available online.
Best,
TM
The TradeMark Experience on Snoop Dogg’s “Wet”
Thursday, January 13th, 2011So I was browsing YouTube last night checking out some of the new songs that have been coming out over the past few weeks, and I came across Snoop Dogg’s “Wet.” If you haven’t heard/seen it yet, check it out below.
I thought the song was interesting, definitely a different direction for Snoop. I love The Cataracs and anything they’re involved with, but I couldn’t help but think that this was just a cheap attempt to recreate the success of Lil’ Wayne’s “Lollipop.” Beyond that, the song was pretty inoffensive; I didn’t feel one way or the other about it. Anyway, I’m reading the YouTube comments (my first mistake) and all I see is a bunch of people declaring “hip hop is dead!”, “Snoop sold out by using autotune!”, and asking “where is the old Snoop?” I normally don’t pay any mind to these people, but these negative comments were overwhelming, to the point that I only saw like 2 or 3 people trying to defend the song. This really bugged me.
Look, hip hop IS dead, as far as the mainstream is concerned. Get over it. If you’re a fan of “real” hip-hop, no one is saying that you can’t listen to it, but it isn’t going to be played on the radio, and commercial artists are not going to make that kind of music because it isn’t marketable right now. If you want every artist to sound like Lupe Fiasco, then go buy the Lupe Fiasco album and play it to your heart’s content. Love it or hate it, dance/electronica is the future of mainstream music, and any artist who wants to remain relevant is going to move in that direction. I like Talib Kweli, Rhymesayers, Canibus, etc. as much as anybody, but I don’t expect mainstream artists to make that kind of music unless they are trying to appeal exclusively to the very small niche of nostalgic 90′s hip-hop fans.
As far as autotune goes, I’m really tired of hearing people bitch about it at this point. Autotune is now being used as an instrument, like anything else. It doesn’t devalue music. If you don’t like the sound of autotune, again, don’t listen. Saying that every artist, song, etc. that uses autotune sucks is a ridiculous statement. That’s like saying every song that uses a flute sucks. Okay, you personally don’t like the sound of a flute, but an artist isn’t selling out by using it, you just don’t like how that instrument sounds. Autotune is just another instrument, albeit a very popular one at the moment. Besides, when Snoop used autotune in “Sensual Seduction,” I don’t remember anybody complaining. All of a sudden, it’s a tragedy and his career is over. C’mon.
Finally, “where is the old Snoop?” The old Snoop is in 1994. If you want to hear the old Snoop so badly, go buy Doggystyle. I’m sure you can find it for a very reasonable price on Amazon. Artists evolve over time. Has anyone considered that maybe, after almost 20 years in the business, that Snoop wants to try something new? That maybe he’s tired of making the same music over and over again? Times change so the grind changes. The best artists are the ones who can change with the times and still remain fresh and relevant, constantly reinventing themselves yet still retaining that defining swagger or persona in some form. The ones who stick to one style, no matter what is going on in the world around them, no matter how played out and passe their style becomes, are the ones who end up broke. Say what you want about the “new” Snoop, but at least he isn’t still performing “Gin and Juice” alongside Young MC and Sir Mix-a-Lot at county fairs.
The bottom line is, enjoy music. If today’s mainstream music isn’t your taste, that’s cool. But stop expecting the world to start and stop at your convenience. Most hip-hop fans are still living in 1993-2001. That’s your choice, and as I said, there are plenty of great CDs that you can go out and buy and you can be happy in your time capsule. The rest of the world has moved on to 2011, so let us enjoy today.
Dj Bankrupt Presents: Bankrupt Business IV
Monday, January 10th, 2011Be sure to download the latest release from Coast 2 Coast mixtapes, “Dj Bankrupt Presents: Bankrupt Business IV!” This compilation features my song “Reach For The Sky,” appearances by The Game, Benzino, and more! Check it out HERE!

Bankrupt Business IV | Mixtapes | Dj Bankrupt | Coast 2 Coast DJs
Featuring: The Chill,So Presice,King Colosus,Cadillac Mane,Jay Storm,Jus Blo Squad,Yung Wreckless,Stretch Money,Billion Barz Blicka,I-Know Brasco,The TradeMark Experience,Duce Rivas,David Cash,The Game,Asiah Epperson,Sincere Grant,Hitman,Max Money,Dome,Cap,Benzino
CLICK HERE TO DOWNLOAD OR STREAM THIS MIXTAPE FOR FREE!

GO TO WWW.COAST2COASTSUBMISSIONS.COM
TO GET YOUR SONG ON THE NEXT COAST 2 COAST MIXTAPE!



Featured Interview w/ The TradeMark Experience on TofinoSound.com
Wednesday, January 5th, 2011My good friends at Tofino Sound were kind enough to interview me for their website. Check out this exclusive interview with TTRRAAADEMAAARRRKKK!!! Topics include my initial motivation for becoming an artist, the first album that I ever bought, and my biggest influences. Thank you once again to all the good people at Tofino Sound for this opportunity!
The TradeMark Experience on Erbin Ubsessions Radio!
Tuesday, December 14th, 2010My single “Ecstasy” has been picked up by “Erbin Ubsessions Radio,” the number one urban podcast on PodOmatic as well as hundreds of RSS Feed and Podcast sites online! Shout out to Paul Pickett!
The Indie Top 50 Vol. 3
Wednesday, November 3rd, 2010“The Indie Top 50 Vol. 3,” featuring yours truly, The TradeMark Experience, is available now through Coast 2 Coast Mixtapes!

The Indie Top 50 Vol. 3
CLICK HERE TO DOWNLOAD OR STREAM THIS MIXTAPE FOR FREE!

GO TO WWW.COAST2COASTSUBMISSIONS.COM
TO GET YOUR SONG ON THE NEXT COAST 2 COAST MIXTAPE!
Fast Break Music Scam
Friday, October 29th, 2010If you are a musician and you have been contacted by a group called “Fast Break Music,” please read this testimonial before you decide to do business with them. This is my own testimonial, btw. I am not copying/pasting someone else’s story.
Allow me to set the record straight once and for all… ***FAST BREAK MUSIC IS A SCAM***
I signed up with this company about a month ago. I was hesitant to do so, because I generally do not trust companies that ask for money upfront. However, I figured that the company *might* be legit (my internet research at the time did not come up with any evidence to the contrary), and if so, $400 is not an unreasonable investment.
The red flags started appearing right away. When I mailed them my package of promo CDs and “one-sheets” (headshot/resume type deals), I discovered that my package was not successfully delivered. The last place it was seen was the L.A. Post Office, and when I called them to ask about my package, I was told that the package couldn’t be delivered to 1600 N. La Brea Ave. because there is no one at that address (apparently the complex was all abandoned office spaces). So, I call Fast Break, and I spoke to a rep named Giorgio Pope with whom I thought I had a good relationship. He told me some story about there being two offices, and he worked in the “other” office. When I asked about this other office, the physical address I was given was 7039 Sunset Blvd Hollywood, CA 90028… interesting. This is the same address that known scam companies Hitt Music Group and Song Placements were located. He also gave me some weak excuse as to why nobody was there at 1600 N La Brea Ave to receive my package, assuring me that Fast Break Music was not a scam company.
So, that incident blew over, Giorgio went and picked up my package himself, which I thought was pretty cool. If this is a scam company, and they already have my money, why would he go through that trouble? This is what I convinced myself at least, not wanting to believe that I had been duped.
Anyway, I am super suspicious of what’s going on now, so I start asking questions. Well, the people at Fast Break / Drive Music *hate* when you ask questions, because they generally don’t have any legit answers. They like to use double speak and keep things as vague as possible when dealing with you on the phone.
Take my radio promotion for example. When I speak to Greg Monty, Director of Radio, I discover he works for a third-party company called Drive Music, which is conveniently located in the same building, 7039 Sunset blvd Hollywood, CA 90028. We spoke about my music and the best way to approach my radio promotion, and during said conversation he did not give me any indication that he had actually listened to my music, nor did he seem to know anything about me (despite supposedly having my CD and one-sheet in front of him during our phone call). To ease my suspicions, he told me that I’d receive a submission report of radio stations where my music was submitted. I called to follow-up, and I was told that he had submitted my music to all the radio stations, he had called the stations to follow-up, and was waiting to hear back. He also told me an exact date for when I’d get my report. He was a week late in e-mailing me my submission report (claiming he was out of the office for the week), and when I finally got it, he said “here is a list of radio stations where I *can* submit your music.” This was after telling me he had already submitted my music and had already called them to follow-up. When I called him on it, he said that my music *had* been submitted, and he was half-way through his follow-up calls… is your head spinning yet? Inconsistencies all across the board.
Here’s another good one. I was told by Giorgio @ Fast Break that he had submitted my music for an MTV licensing deal. Okay, so when I call to follow-up, he tells me that he’s waiting to hear back about compensation, and no artists have been selected yet. We continue to speak, I ask some more questions about the compensation, and he says something to the effect of “yeah, one artist has been chosen, and I think he’s getting $1000.” Huh? You just said no artists were chosen yet. In addition to that inconsistency, I know for a fact (via a *real* publisher I know who has worked with MTV) that MTV *never* pays the artist upfront. You get paid on the back-end depending on how your music is used, how often it is played on television, etc. My suspicions continue to grow.
So now I get my monthly submission report from Fast Break Music. The submission report includes a list of websites where my music was submitted, and two films that my music was submitted to for licensing opportunities. The films had a genre and synopsis, but no title and no studio information. Yeah, that looks legit. Also, the websites included absolutepunk.net, and a bunch of indie rock blogs. I am a pop/electro/hip-hop artist. Why are they sending my music to punk websites? None of this made any sense, so I followed up with all the websites personally to see if Fast Break had actually sent them anything. 7 of the websites responded, and not surprisingly, not a single one of them ever received anything from Fast Break Music, and only 1 had even heard of these guys. Now I’m pissed. I was sent a fake submission report from these people. Wow.
I call Brett at Client Services to ask about this, and I also send him an e-mail. About an hour later, I get an e-mail from Greg @ Drive Music (total coincidence, I’m sure) telling me that I have an opportunity to get my music programmed into Rock Band. LOL. He also tells me that he is working on his follow-up calls (still! Two weeks later), and that my music was submitted to three magazines. I don’t even waste my time responding to the ridiculous Rock Band offer, and I ask directly for the contact info for these three magazines so I can follow-up personally. Greg tells me that he’ll send me the contact info once they make a selection. Huh? What sense does that make? I told him I want to speak with these people now, before a selection is made, so I can make things more familiar between the magazine editors and myself, bettering my chances of being selected. Reasonable request, I thought. He responds by sending me an e-mail conversation that he supposedly had with one of these magazine editors. The funny thing about this e-mail? The actual e-mail information (i.e. To/From, a timestamp, etc.) is not there, it’s just copied and pasted text. He even went so far as to put the editor’s signature to make it seem like he actually wrote this message. Now, I have contacted the magazine editor personally to confirm or deny that he actually had this conversation, and I am waiting for a response, but the fact that the e-mail was not forwarded to me, but rather copied and pasted with no actual evidence of an e-mail conversation (again, there was no To/From, no timestamp, etc.) is very, very suspect.
Also, I never heard back from Brett.
I have now sent them a cancellation notice and a refund request. If you are considering doing business with Fast Break Music, or Drive Music, STAY AWAY. These people are scam artists, nothing more. If you already made the mistake of doing business with them, do as I did, cancel and ask for your refund immediately. This story is 100% true, and I would be happy to answer any specific questions you all may have. My e-mail is thetrademarkexperience@gmail.com.

